CULTURAL PROMOTION AND IMAGE PORTRAYAL IN THE NIGERIAN MOVIES

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CULTURAL PROMOTION AND IMAGE PORTRAYAL IN THE NIGERIAN MOVIES

ABSTRACT

Entertainment has been one of the vibrant outfits that sustain man and add to his longevity because it plays a very vital role on his psyche. It is generally accepted that the western nations are dominating the entertainment sector in the entire media practice today. Therefore, the need to project Nigeria in the entertainment sector gave rise to the Nigerian Home Movie Industry. The Nigerian Home Movie Industry is nationalistic, a movement that tries to challenge the influx and the influence of foreign culture through foreign movies on Nigerians. Through the movies Nigerians are educated on their indigenous culture as against the foreign culture represented and promoted globally. Several misconceptions about Nigerians are also corrected. Though Nigerian culture is being promoted, there are still mounting challenges, as the image of Nigeria is being represented positively and at the same time negatively. The problem has to do with local hegemony in form of the money bags who determine what the thematic thrust of each movie made will be. Consequently these persons engage in making movies that are violent, full of crime, obscene behaviours, and movies that encourage behavioral decadence. At the climax of the control of these overlords, there came up what is called alternative hegemony, a struggle by some positive – minded Nigerians to counter the repeated show of crime with movies that are worthwhile and which promote morals. The focus of this study is to project the hegemonic activities of the Home Movie practitioners in the business of film making. The study takes a closer look at the ways the image of Nigeria is represented and the impact of such representation on Nigerians and the general public, using four Nigerian movies, namely, “Dons in Abuja,” “Hot Girls,” “The Peace Maker” and “The Price”. “Dons in Abuja”, and “Hot Girls” stand for negative image portrayal while “The Peace Maker” and “The Price” stand for positive image portrayal. The objective of this study is to recommend ways of using the Nigerian Home movies as a tool for identity promotion and image laundering for Nigerians in the effort towards national development. The study adopted various tools in the collection of data; library research on work previously done on areas related to the study. It used for its information materials both in audio – visual and live interviews. The study reveals that the motion picture is one of the fastest and one of the most viable ways of exporting culture for economic gains. It also observes that the Nigerian movies have not succeeded in promoting the culture and image of Nigeria as a result of local hegemony on the side of the practitioners. Most importantly, the study reveals that the movie practitioners are more concerned with enriching their pockets, relegating to the background the cultural implication of such representation. Therefore, it suggests that movie – making for image laundering should not be left in the hands of individual producers but should be sponsored and controlled by government and philanthropic Nigerians who have the development of the country in mind. The study establishes that hegemony taken from a positive light can be adopted in making good image portrayal to be the dominant and controlling feature in every movie made in Nigeria as against the dominant and controlling negative image portrayal.

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